The Green Elephant





Window_docStills from live-stream documentation.

The Green Elephant is a symbol for a private reality only one person can see, and which thus creates a part of their real world, but invisible to others. This negative being is a misconception of self and the surrounding world a person creates for him/herself. It can affect relationships with others and at worst lead to fanaticism or self-destructiveness.

Video is part of the installation, which was exhibited in Photographic Gallery Hippolyte, Helsinki, in 2015. 

1 projection, 1 live-stream, text, sculpture

Music: Viljami Lehtonen
Light: Anttoni Halonen
Live-stream: Niklas Pöllönen
Sculpture: Maikki Pekkala




The Arch


Life can be seen as a circle. Only one half of it is visible, the arch. The work is a metaphor for the arch of life, which includes growing up and getting old. At the same time, life is more like a continual circle but we easily perceive and see only the visible part, the arch. 

3-channel projection

Music: Jarkko Kela
Camera: Alisa Javits, Aarne Tapola
Masks: Alisa Javits

Kids: Venla Lyytikäinen
Adults: Lotta Blomberg, Pietari Peltola
Old dog: Sutonen

Catering: Lau Maldo

Thanks to Helen Ltd Hanasaari Power Plant, Elise & Rainer Lehtinen’s kennel and Tomi Pelkonen.




Inside Yard



Video (HD, 4:38 min) + 5 photographs in light boxes (each 16 x 28 cm)

Inside Yard is a video and photographic installation that explores the relationship between moving image and photography and the ways they convey experiences.

Inside Yard is a metaphor of an unknown person. It is an imaginary look into a human being from the inside, into the world that hides behind the visible surface. The individual is like a courtyard; outsiders only see its closed façade. The inhabitant is on the other side, safe and happy in his or her own world, on the one hand, but also feeling anxious and longing to escape the isolation, on the other.

Girl: Emma Kantanen
Old Man: Bo Erjestad
Musician: Markus Kuikka

Sound: Viljami Lehtonen, Alisa Javits





Dancing Nymphs, valolaatikko, 16x28 cm Tila 1 Tila 2 Black, sekateniikka paperille,104x72 cm Black, tilassa _MG_6950 Detail_03
05 Tila 2 Dancing Nymphs, tilassa

Photography, painting, objects

Stratum, plural Strata, sedimentary rock layer bounded by two stratification planes, the latter being produced by visible changes in the grain size, texture, or other diagnostic features of the rocks above and below the plane. A stratum that is less than one centimetre (0.4 inch) in thickness is termed a lamina, whereas one greater than this thickness is a bed. See stratification.

Stratification, the layering that occurs in most sedimentary rocks and in those igneous rocks formed at the Earth’s surface, as from lava flows and volcanic fragmental deposits. The layers range from several millimetres to many metres in thickness and vary greatly in shape. Strata may range from thin sheets that cover many square kilometres to thick lenslike bodies that extend only a few metres laterally. 

[Global Britannica]

Just like soil, a human is made up of layers created by different stages of life. They are formed by big and small events, acts and experiences. The layer below affects the next one and together they shape a person’s external surface layers and sense of self. In order to explain the current form, one has to go deeper and dig out the layers hidden in the subconscious or memory.




Thinking about it? [the future]

Video (HD, 3:12 min)

Video is a thought about being in the now, in the past and in the future. Trying to place it in relation to everyday life. A form of flowing sentences imitating the unfocused state of mind. But still thinking about it. The future.     




My Roots (Mother’s side)

8 photographs assembled on black background, (each 63 x 42 cm, pigment print on Aluminium Composite Panel)

The work is based on photographs of my female relatives from my mother’s side I found in my grandmother’s archive. All together they represent four branches of my roots. Biologically I inherit a bit of all of them. When looking at these individuals I think of them and wonder what kind of inner similarities we might have. How would it be to turn into one of these persons? How do the time and the era of the photographs affect the way I see them? The four image pairs are illustrating this process of identification.